8x6m Roof Stage
red speaker
void speaker

JHA Entertainment Void AirTen

Don’t be fooled by the Airten V2’s small size. Its dual driver LF configuration results in greater bass extension, while a coaxial point source element for the mid and high frequency, housed in a space-age composite enclosure, delivers exceptional fidelity across its wide dispersion pattern.

The total elimination of energy-robbing enclosure resonance has been achieved using super strong composites that include fibreglass, providing desirable acoustical properties and allowing the Airten V2’s evolved form to emerge. Unique ‘intake protection’ is employed to accurately control and limit excursion, requiring no additional outboard processing or powering. The increased headroom available by monitoring the components at source has produced a system capable of output levels normally associated with enclosures over twice the size of Airten, making it particularly favoured for near-field DJ monitoring.

 

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Lights and confetti over crowd

Taste the Punch Celebrated there 5th birthday with awesome Good Friday party at the UK Center for Carnival Arts in Luton headlined by the one and only Sister Bliss from Faithless. 

Taste the Punch over the past 5 years have put on 50 amazing shows featuring some of the finest lineups in electronic music the world has to offer. They have hosted parties from there roots in Luton to Eden in Ibiza. 

Our rental partners took the lead on this event turning to us to provide bass reinforcement and special effects. Using our Void Acoustics XV2 for the 800 strong crowd and our Air Motion system for the 2nd room at the venue. 

Two of our electric DMX operated confetti fans were positioned above the audience filled with 1Kg of metallic silver confetti for the finale of the show. 

The team behind Taste the Punch brothers Dean and Craig Sheilds are exacting in there standards of production, branding and feel of every event.

Lights and confetti over crowd

JHA Entertainment Provides Sound and SFX for Taste the Punch in Luton for Faithless

Lighting consisted of 30x Sharpy Beams 12x Poinies 12 Showtec Sunstrips 6x SGM X4  LED strobes 6x Pixel squares P3 Video wall and 4x 8w RGB Lasers all running off Chamsys Processing and control. 

Sound Main Room :

6x Arcline 212

8x Arcline 8 4x XV2 

 

2nd Room Audio

2x XV2

2x Air Motion

 

Daniel Scotcher Photography 

Joshua Sherwood Photography

Focus Sound and Light 

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Void Acoustics Air Vantage

Void Acoustics Air Vantage Rental

The dual role Air Vantage midtop is equally at home when used with the Sub Vantage for monitoring duties or as a stand alone mid top with LF enclosures in a main club system. The same attributes that make it eminently suitable as a DJ monitor, such as true point source transmission and a smooth frequency response, also shines through when it comes to filling a dance floor with high SPL and accurate sound.

Particular attention was paid when designing its internal crossover to achieve the best possible phase response, which has allowed for prolonged listening periods at very high SPLs with the minimum of fatigue. Venues with low ceilings are also a prime candidate for the Air Vantage midtop, as its diminutive vertical dimensions and tight pattern control allow for close mounting to a ceiling.

Designed for the larger club environment and arena type EDM events, the Air Vantage has been created to deliver wide and very even coverage throughout its stated dispersion. This allows DJs the freedom to move anywhere around the booth whilst continuing to experience even and balanced sound reproduction. The system also provides very high levels of efficiency with the added benefit of point source accuracy, both essential for precision mixing at the highest levels.

The systems vertical dimensions have also been kept low to allow good sight lines between the audience and DJ and any rear LED screens. A matching complimentary subwoofer comprising of four 15″ drivers deliver accurate low frequencies with very quick dynamics and provides adjustable vertical positioning of a mounted Air Vantage midtop.

 

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Void Acoustics Arcline range is one of the industry leading large scale sound reinforcement systems.

The two-way passive full range Arcline 6 is a versatile, portable and easy to use all round box.  Fantastic wide 120 degree horizontal dispersion that dramatically improves the perceived sound quality and definition as well as reducing setup time, and removing the need to deploy multiple enclosures.

Placing the four 6.5″ neodymium low frequency drivers and three 1″ neodymium high frequency drivers on a virtual arc. This enables to give a true 120 degree dispersion results in a highly uniform polar pattern. Allowing all of the audience members to experience a similar sound quality. Traditional high frequency driver spacing and path length compensation among line source enclosures has almost always meant a compromise in high frequency performance; and therefore a new design of waveguide was employed for the Arcline 6, with the common virtual feed point generating flat response up to 21kHz, even when multiple enclosures are coupled. The ability of multiple Arcline 6 enclosures to form a true cylindrical wavefront is key to their exceptionally smooth transition from near-field to far-field coverage.

The new Arcline 8 is a versatile, portable and intuitive to use. This is made possible by a host of new technologies that dramatically improve the perceived sound quality and definition. An all new advanced rigging system also reduces setup time and obviates the need for more than one person to rig multiple enclosures.

The Arcline 8 delivers a true 110 degree dispersion and results in a highly uniform polar pattern that allows all of the audience members to experience uniform sound quality across the entire sound field. Traditional high frequency driver spacing and path length compensation among line source enclosures has almost always meant a compromise in high frequency performance, so a new design of high frequency horn was developed

The Arcline 8. Extensive FEA modelling was used both to evaluate and optimise the waveguide. A new phase shading device has also been implemented to allow multiple Arcline 8 enclosures to form a true cylindrical wavefront by splitting two acoustic sources into four, with the acoustic centre positioned optimally for coupling in both the horizontal and vertical planes.

 

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t. 01234 301517

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